Literacy, culture, and creativity in a digital era

Author(s): Martha C. Pennington

Year of publication: 2017

Keywords: Digital literacies, Little-l literacy, Big-L literacy, Popular culture, Creative activity, Writing space, Electronic technologies, Cultural transformation, Digital era pedagogy, New literacies

Methodology/Sample: _/_

Reference: Pennington, M. C. (2017). Literacy, culture, and creativity in a digital era. Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture, 17(2), 259-287. https://doi.org/10.1215/15314200-3770149

Abstract

Changing constructions of literacy in online contexts are situating reading and writing within everyday and popular culture activities while also facilitating highly specialized literate and creative activity. I define these two types of literacy as “little-l” literacy and “Big-L” literacy, drawing on distinctions of “Big-C” versus “little-c” culture and creativity, and then show how digital environments are changing writing space and creating new literacies of a third kind. The effects of electronic technologies on the processes and products of literacy, culture, and creativity require a rethinking of traditional views of culture and creativity to bring them up-to-date in the digital era, with implications for pedagogy.

> Summary

  • The paper discusses the evolution of literacy in digital contexts, emphasizing the blending of Big-L and little-l literacies.
  • It highlights how digital media democratizes creativity and literacy, fostering communal engagement.
  • The author critiques traditional distinctions between high and vernacular cultures, advocating for a more inclusive understanding of creativity.
  • The abstract notes that digital affordances both level and delevel cultural opportunities, reshaping literacy practices.
  • Overall, the paper argues for a redefinition of culture, creativity, and literacy in the digital age.

> Problem statement

  • The paper discusses the fading relevance of traditional cultural distinctions in a participatory and interconnected world.
  • It highlights the challenge of assessing creativity and culture amidst competing narratives and standards.
  • The misconception of a strict dichotomy between creative and noncreative writing is addressed.
  • The impact of digital environments on cultural standards and writing practices is examined.
  • The paper notes the dual effects of digital media on culture, leading to both homogenization and innovation.

> Methods used

Not addressed in the paper.

> Practical implications

  • The paper emphasizes the need for interdisciplinary interaction in writing pedagogy, blending writing studies, creative writing, and media studies.
  • Students should analyze and emulate new digital rhetorics in their writing, enhancing their creative processes.
  • It advocates for a focus on design in document production, offering new insights into writing.
  • The paper highlights the importance of understanding genre conventions, encouraging students to innovate within and across genres.
  • The abstract discusses how digital media reshapes culture and literacy, impacting writing practices in online contexts.

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